Buy Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras

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Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras Reviews


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Rating: 3.9
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Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras

Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras Overview:


  • 17-40mm ultra-wide-angle zoom lens with f/4 maximum aperture for Canon SLR cameras
  • 3 aspherical lens elements and super UD glass element create superior optics in all conditions
  • Powerful ring-type ultra-sonic monitor (USM) produces fast and silent autofocusing
  • Focuses as close as 11 inches; supports screw-in 77mm filters or up to 3 gel filters
  • Weather-resistant construction; measures 3.3 inches in diameter; 1-year warranty

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Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras

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Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras Reviews


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604 of 613 people found the following review helpful
5.0 out of 5 stars My walkaround lens, November 2, 2006
By 
NutMac "NutMac" (Mountain View, CA) - See all my reviews
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This review is from: Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras (Camera)
The walkaround lens. This very topic leads to a heated discussion among DSLR photographers.

First, determine your budget, focal length, and aperture needs.

If you frequently find yourself zooming out to get everything in a frame, you will want a wide angle lens such as this. If you frequently find yourself zooming in, this is not the lens for you. On a full frame body such as Canon EOS 5D, this lens becomes ULTRA wide angle. On an APS-C crop body such as Digital Rebel XTi (which I used for this review), it becomes MEDIUM wide angle. But thanks to 1.6x crop factor, this lens expands to more usable 35mm equivalent focal length of 27 to 64mm.

Second, audition the lens if you can.

By definition, a walkaround lens should be relatively portable. At 1.1 lbs., Canon's EF 17-40mm f/4L USM is neither super light nor neck breakingly heavy. In fact, it weighs almost the same as Digital Rebel XTi -- really nice balance. The lens feels very solid with... Read more
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358 of 378 people found the following review helpful
3.0 out of 5 stars Only decent in comparison to other L's, October 31, 2006
This review is from: Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras (Camera)
(I really want to give this lens 3.5 stars)

This review is written from the viewpoint of someone whom has used many L-class lenses, and as such will be a little harder on this piece of glass. If you've never used a Canon L lens and you purchase this one, I guarantee you'll be quite pleased with your purchase. But this review is really meant for those who own other L glass pieces and are looking into adding this one to their collection.

The good:

L glass tends to mean some heavy-weight glass, however this lens is surprisingly light and small. In fact, it is the smallest/lightest L zoom Canon makes. You find yourself more likely to take it to places where there may not be much of a projected photo opportunity or where there is a higher risk in damaged gear due to its unobtrusive size. It really is one of those few L lenses that you can casually walk around with and not garner much for attention.

As with all L-glass, this ones very solidly... Read more
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77 of 77 people found the following review helpful
5.0 out of 5 stars Versatility on the Cheap, July 3, 2006
By 
Genobambino (California, USA) - See all my reviews
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This review is from: Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras (Camera)
No one lens accomplishes every photographic objective. Canon makes each lens at every price point well-suited to various tasks, but with limitations that can only be overcome by graduating to the next higher priced but similar item. A case in point: the wide-angle zooms.

The 17-40mm f/4 is one of Canon's best deals in L-series glass. You have to spend twice as much to get a lens of similar quality, but just one stop faster. Does this make the more-expensive EF 16-35 f/2.8L a ripoff? Not for its own specific use: the extra stop gives you the speed to shoot in more indoor situations. Not all photographers need this. When indoors, we're often taking pictures of people, which are better suited to lengths around 50-100mm. To capture sweeping panoramas of parlors for Architectural Digest (or Coldwell Banker) the f/2.8 is the better lens and worth the step up in price, though in many cases you could use the f/4 lens with a tripod. All this means is that the f/2.8 is... Read more
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